The exhibition Sands of microworld 2.0 works with the now rather “overcooked” topic of global environmental
crisis as a phenomenon that has returned to the art scene after 2000 in a new context of scientifically oriented multi-disciplinary paradigm of the Anthropocene. It presents a site-specific installation that refers to the crisis situation.
It resembles an emergency committee or a bunker, a place in charge of the last coordinated human activity. The audience enters the intervention in Galerie TIC in a state of timelessness, the time “after” or “post” when
all the preceding tension and threat has disappeared.
What is left are only ruins, fragments, and memories... The intricate environment is crowned by a large format video – a narrative 3D animation with a distinct musical
component and dramaturgy by the invited artist Tomáš Moravanský.
The animation is a postmodern” collage full
of references to pop culture and techno-optimism.
It satirizes the acquired and eventually destroyed human cultural property, which is paradoxically portrayed in a dematerialized form in a world of virtual objects
and simulations that are multiplying and overlapping into
infinity. The project was created in cooperation of Michal Žilinský,
Tomáš Moravanský, Jakub Roček, Jakub Nemec, Petr Jambor.